He recently applied these skills once again by correctly finding the hockey game from which the title screen for NHL 94 came.īy using visual clues from the title screen, NPG was able to deduce three things: the game shown took place on April 8, 1993, was between the Chicago Blackhawks and New York Islanders, and the players on screen are Scott Lachance and the late Bryan Marchment. An example of this can be seen in a video in which he found the exact moment that the photo used for the cover art for NBA 2K11 was taken. He has gained over 1 million followers through his videos of him precisely identifying sports games found incidentally in media, such as games playing in the backgrounds of TV shows and movies. This screen was put on the radar of a TikToker who goes by the name noproblemgambler, also known as NPG. NHL 94's graphics and sound design are remembered fondly, particularly its title screen whose memorable tune and imagery are etched into the minds of fans. RELATED: Madden 23 Will Remove CPR Celebration Following Damar Hamlin’s Medical Emergency It remains one of the most celebrated and renowned sports games of its time and had a big enough legacy to get a remake in the form of NHL 94 Rewind which released in 2020. One of the most popular games from this era is NHL 94 which was first released for the Sega Genesis and SNES in 1993. Some of its series like FIFA and NHL go as far back as the early 1990s, meaning multiple generations of gamers have been able to craft their own personal histories with these games. Like other EA Sports series, the NHL games have a long and celebrated legacy that goes back decades.ĮA Sports games have long been an easy choice for sports fans looking for something to play. A passionate sports fan on TikTok delved into the depths of sports broadcasts to find the exact moment that was used for the NHL 94 title screen.
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As he seats himself, Albedo and the Elder Liches make their entrance and the organizational conversation begins. On the balcony, he feeds his pet lip bug. Ainz heads downstairs, Fifh opening the door to his study. For the day, he styles a vibrant crimson robe, adorned with gems instead of buttons, and further embroidered with gold thread. Ainz feeling too inadequate to select his attire, allows Fith to select his outfit. Ainz, Fith, and the Eight-Edge Assassins leave for the dressing room. After Foth' shift is over, Fith, another homunculus maid, moves into her shift. Seated nearby in a corner of the room is Foth, one of the Homunculus Maids, who had kept steadfast vigilance on her master throughout the night. Though, she takes on her duties with little complaint, as her heavy burden is service to her beloved master.Īfter the founding of the Sorcerer Kingdom, Ainz Ooal Gown is in the former mayor’s chamber, having moved in after taking over E-Rantel. Albedo still has trouble following Ainz's radiant plans and brilliant mind. She outlines a list of forthcoming duties: training the Elder Liches to manage the administration, a visit to the Re-Estize Kingdom, and the policies to confirm and implement. The prologue opens with Albedo, conveying a course of heart-struck affection towards her master. How would Ainz, the immortal ruler of the country, influence them with his actions? Meanwhile, rulers of each country were taken aback by the sudden emergence of the Sorcerer Kingdom, and have devised their own countermeasures. As the first step, Ainz turns toward the Empire with the intention to strengthen the Adventurer's Guild and nurture the adventurers. After his coronation, Ainz decided to turn his kingdom into a utopia, a forever thriving world with various races that submit to him. “I asked somebody who worked on that film: ‘How many days did you use those?’ And they said: ‘I think we used them once.’ That was over five or six weeks. He remembers a shoot in New Mexico where a rival production – a huge-budget blockbuster – hired heavy-duty cranes that sat unused for much of the shoot. “It is about honing it down: taking away the flowery, peripheral stuff and simplifying,” he says. Left with limited film stock while shooting Around the World With Ridgeway, a film about the tensions between the crew on a round-the-world yacht voyage, he was forced to learn to shoot economically. Inspired by Mayne’s photojournalism, Deakins went to film school and began shooting documentaries. “That’s not saying you’re not trying to create something visually interesting, but there’s a balance between being visually interesting and being ostentatious.”īorn in Torquay, Deakins was passionate about painting as a child at art college in Bath he developed an interest in stills photography and was influenced by the photographer Roger Mayne, whose pictures of postwar kids in London were among the first to capture the new “teenage” generation. “If somebody says, ‘Oh, I loved the shot with such-and-such’ then you’ve failed, because really you want the whole thing to be of a piece,” he says. Sicario’s stars and director talk to Andrew Pulver Guardian His best work, he says, isn’t the flashy stuff – the zoom back from the guards’ amazed expressions through the hole in the cell wall in The Shawshank Redemption, the phantasmagoric light show in the background of a Bond Skyfall scrap – but the films that are consistent: The Assassination of Jesse James by the Coward Robert Ford’s old-world dinge or the black-and-white noir of the Coens’ The Man who Wasn’t There. He likes to shoot single camera where possible, doing the operating himself. I’m not for that anyway – I think that’s all bull. “It wasn’t the sort of film where you want to shoot between three and six because there’s this lovely golden light. So much of it is: you do your best with the schedule and what you’re thrown. You make use of it because it’s there, and because you can’t shoot it another day. “So we got these incredible thunderclouds. “When we started shooting there was a quite active monsoon season,” he says. The scene has been praised for lending the film a doomy portent, but it’s not like Deakins could control the weather. In Sicario there’s a scene where a police car is driving into the distance shrouded by a huge black cloud. People tend to load his work with intent, he says, when a lot of it is based on improvisation. The Guardian’s film critics discuss Sicario Guardian If something good can be made of it, all the better. Today - perched in a Toronto hotel room with his wife, script supervisor James Ellis Deakins, listening in - he amiably bats around theories about his work, tackling the interview much as he deals with inclement weather on a shoot: a problem to be worked around. Thoughtful and shy, the only LA thing about him is his tan, which he probably picked up puttering around in his fishing boat near his hometown of Torquay. He’s one of the top three in the business, says director Andrew Dominik (“Roger and two other people and its the two other people that change”), the Coens’ go-to (he’s shot most of their films since Barton Fink), and been Oscar-nominated 12 times for films as diverse as Skyfall and Martin Scorsese’s Dalai Lama biopic, Kundun.ĭeakins is, according to Villeneuve, “the opposite of a Hollywood person”. Its cinematographer, Roger Deakins, is one of the most lauded film-makers in Hollywood. Head here to watch the new “Blade Runner 2049” trailer, and click through the gallery to see all of Deakins’ best shots from the footage that has debuted so far.It’s no surprise that Sicario looks great. has released two full trailers for Denis Villeneuve’s sequel to Ridley Scott’s landmark 1982 science-fiction movie, and they are jam-packed with so many jaw-dropping shots that we’d give Deakins an award just for the four minutes-worth of footage we’ve already seen. With “Blade Runner 2049” shaping up to be one of the most visually stunning releases of the year, this awards season could finally do the trick for Deakins. The 68-year-old cinematographer is one of the legends of his craft, and it’s about time the Academy recognizes it. Roger Deakins’ 13 Oscar nominations and zero wins is hardly new news, but it’s never not shocking anytime we hear about it. Thank you for partnering with us to help prevent the spread of any germs and flu. Our top priorities are to continue service to the public, and to keep them and our employees healthy and safe. We continue to clean and disinfect our vehicles daily and regularly utilize a disinfecting fogger. The District respects that people may be feeling anxiety and concern about the safety of public transit in the regards to COVID-19 we take this very seriously. North Central Regional Transit District’s RTD Blue Buses provide vital transportation services within north central New Mexico. NCRTD STATEMENT ON MEASURES IN RESPONSE TO COVID-19: Please refer to the ROUTES section to determine the latest information on your route. Passengers must reserve a ride at least 24 hours in advance by calling 50 ext. Please contact Caliber for additional details.Passengers whose route is currently operating on a temporary Demand may reserve a ride FROM any designated stop on the route TO any designated stop on the route within the service hours. Payment may be subject to reporting for tax purposes. Available only through the Caliber Retail Channel. LTV and property type restrictions may apply. Other requirements include: Minimum 700 credit score, owner occupied purchase transaction. Offer requires 30 business days from Caliber’s receipt of purchase contract to closing date. Void if there are any material changes to income or assets. ****Caliber agrees to pay the borrower the amount of the earnest money deposit (up to $5,000) following the home loan closing, if the loan does not close on or before the contract closing date due to a delay caused by Caliber. Please contact Caliber for additional details. All rate lock extensions are subject to Caliber’s standard rate lock extension fees All rate lock extensions are subject to Caliber’s standard rate lock extension fees. Once you identify a property, your rate will be locked for an additional 45 days. Your rate is protected for up to 30 days to shop for a home. ***The lock will be honored up to 75 days total. Not all products are available in all states or for all dollar amounts. All products are subject to credit and property approval. 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Contact one of our local Loan Consultants to find out what options may be available to you and what programs or products you may qualify for. We truly care about our customers, and want to help you finance more than just a house-we want to help you finance your home. We are committed to extending homeownership to as many people as possible through personalized, individualized service tailored to your unique needs. Financing for primary residences, secondary residences, and investment propertiesĬaliber Home Loans embraces a customer-centric approach that places you, your goals, and your values at the heart of our business.Conventional loans, bonds, and jumbo loans insured by Freddie Mac and Fannie Mae.Our growing portfolio of mortgage options includes: Whether your future Michigan home is tucked away in a rural oasis, comfortable in a suburb, or right in the heart of Detroit, Caliber Home Loans has the financing plan to help you afford it. Unlike other areas where real-estate markets became ultra-competitive post-recession, housing in Michigan remains affordable and attainable. Summers are beautiful and mild, with freshwater lakes and beaches just a short drive away, and winters offer a plethora of outdoor activities you won’t find anywhere else. Just hours (or less!) from the Canadian border, Michigan is more than its industrial past. Michigan is a state on the move, thanks to a growing population and vibrant urban renewals in the larger cities. If the product arrives and is too large to maneuver to your room of choice, any fees associated with dismantling/reassembly or returning it are your responsibility. Pick a Delivery Methodīy ordering from Game Room Shop and selecting any of the delivery methods below, you are acknowledging that the product is able to fit through your doorways. You will need to be at the delivery address when the driver arrives to accept the package and inspect it for damage. Most large items and game room tables – including but not limited to billiards, shuffleboards, table tennis, foosball, bubble hockey, and poker tables – ship freight. Any delivery time frames listed are just estimates and not guaranteed. Made-to-order items and custom orders may take 2-4 weeks to ship, depending on the manufacturer. Lead and delivery times vary by manufacturer. Standard orders typically ship within 7-10 business days. Orders are processed the same day they are received. Our top priority is and always will be our team, the communities we serve and of course, YOU. If you call outside of business hours or during high call volume periods we ask that you leave a message and you will receive a call back as soon as possible.If you call us or chat, you will speak with a live person.We still promise to offer the 5 star service we're known for.If there is any hesitation with lead time, please contact us prior to purchase and we will validate the current estimate.Please excuse any inaccuracies during the pandemic as estimates may change due to factors beyond our control. While we try our best to provide updates, they are only as good as information relayed from our vendors. Some of our most affected vendors/products include:.Products are shipped manufacturer direct and may experience longer fulfillment times due to continued supply chain delays and limited staff.All orders placed will be processed with our vendors on the same day. 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HUSQVARNA PW3200 PRESSURE WASHER,complete $300. Her new stepfather came, too – along with his eight children. We had cows and chickens and I learned how to work the land.” It was a learning curve, but it definitely made me stronger and it turned me on to a love of nature. “I think I coped the same way everybody else in the family did – shock and awe, then the realisation that we were going to have to plough our own road. “It was like: ‘We’re going to go be hippies now and have a garden.’ We were completely ill-prepared,” she says with a laugh. She was born in New York, but when her parents divorced and her mother remarried, Perkins moved with her to live on her maternal grandfather’s farm on the border of Vermont and Massachusetts. Perkins’ childhood sounds like an improbable screenplay pitch. She just blossomed as a woman in her 50s.” “It boosted her self-esteem: she finally had something that was all hers, that was not based around the home and the kids. “It really changed her perspective on the world,” says Perkins. Her character in The Moodys, Ann, has retrained as a psychologist after years raising her children – she is partly informed by Perkins’ mother, who became a counsellor when Perkins, the youngest of three daughters, left home. I turn down a lot of work because I don’t want to be around any divas I don’t want people who yell and scream.” She says there is a point at which “you only want to work with people you like – that you admire as people and what they stand for. Although we are separated by a phone line, her voice is low and warm and there are small but telling details – she asks questions about my life she has been with the same agency all her career – that hint at a grounded actor not driven by ego. I know a lot of really talented actors who never had that kind of break and I was just incredibly lucky to be there and be able to pull that off.” The film, with Rob Lowe, Demi Moore and Jim Belushi, “set me on my way. When Perkins made her debut in the Brat Pack movie About Last Night, she was barely three years out of drama college. Perkins (left) with Demi Moore, Jim Belushi and Rob Lowe in her debut film, 1986’s About Last Night. ‘I was incredibly lucky to be there and pull that off’. If it’s an interesting character, like with Sharp Objects, that’s more interesting to me than: ‘Am I the lead?’” With her background in ensemble theatre, you get the sense that Perkins just loves being around other actors, rather than being the star the result, perhaps, is that she is underrated, even if she is a regular scene-stealer in supporting roles. “I don’t base my interest on the size of the role, which I think some actors do. “But I also think that people hire me based on what they know I’ll bring – I can read something and say: ‘I can make this into something interesting,’” she says. In the 90s, she featured in intelligent, critically acclaimed films (Barry Levinson’s Avalon) and more obviously commercial projects (she played Wilma in The Flintstones and starred in a remake of Miracle on 34th Street).īut television is where the meaty projects are, even if she still finds herself rolling her eyes at scripts that come in with underwritten parts for older women. Perkins’ film career peaked in the 80s and 90s – her big break was as Tom Hanks’ girlfriend in Big in 1988. She says of the film industry: “It would be nice if they got on that bandwagon, but it is what it is.” “They don’t necessarily see you as a box office draw.” There are exceptions – she is impressed by the work actors such as Viola Davis, 55, and Frances McDormand, 63, are doing. These are not roles with which the film industry is awash, “particularly for women my age”, she says. Photograph: Fox/Getty Imagesįor the past 15 years, Perkins’ most interesting work has been on television – she was the nightmare neighbour Celia Hodes in Weeds, the boozy busybody Jackie O’Neill in Sharp Objects and a mother trying to prove her son’s innocence in Truth Be Told. Perkins with (from left) Jay Baruchel, Denis Leary, Chelsea Frei and François Arnaud in The Moodys. ‘They don’t necessarily see women my age as a box office draw’. The bags come decorated in moons, cactus, or dots. 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Throughout the book she traces threads of primitive barbarism – like cannibalism and human sacrifice – along with the more “civilized” ideals that gradually replace them. The flower myths usually involve beautiful youths dying tragically, and Hamilton sees these as poeticized versions of early stories of human sacrifice. The stories of heroes often explain the founding of cities or bloodlines (like Aeneas, the mythological forefather of the Romans), but other myths explain natural phenomena like the constellations or the origins of flowers, while others serve no purpose other than pure entertainment. She groups the short biographies around the Trojan War, a mythological battle that involves many of the most famous heroes and is immortalized in Homer’s epics. Hamilton begins with early heroes like the Titan Prometheus, and then famous mortal heroes, which she describes in depth, like Theseus, Hercules, Achilles, Odysseus, and Aeneas. The stories begin to multiply and expand as the gods, especially the lecherous Zeus, copulate with humans and give birth to both heroes and tales of tragic love. They then create humans, who populate the earth along with other supernatural creatures. The gods, who are children of the Titan Cronus, overthrow their father (led by Zeus) and rule the universe. Next comes Love, and with it Heaven and Earth, and then monsters and the godlike Titans. The Greek creation story begins with only Chaos, Night, and Death. Lesser gods and supernatural creatures include Eros, nymphs of all kinds, and personifications of abstract concepts like Justice and Memory. Other important gods are Demeter, goddess of corn, and Dionysus, the god of wine, both of whom live on earth. Hamilton then introduces the major Greek gods, who live on Mount Olympus: Zeus, the chief and god of thunder and sky, Hera, his sister and jealous wife, his fierce, independent daughters Athena and Artemis, his sons cruel Ares and poetic, prophetic Apollo, his brothers, Poseidon the sea god and Hades the god of the dead, Hestia, his sister and the protector of the hearth, the clever messenger Hermes, the craftsman Hephaestus, and Aphrodite, goddess of love and beauty. In her introduction, she gives her reason for studying these myths, as she sees them as precursors to Western thought and useful to modern Americans. The book holds only a loose chronological order, as the mythological world is so huge and entangled that Hamilton must often reference characters and stories that are explained much earlier or later. Edith Hamilton’s Mythology is like a huge study guide itself, as it overviews the principle Greek and Roman myths and briefly delves into Norse mythology. |
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